This is the last of the seasons that used pop up windows to show each main project. The overall aesthetic of this season holds together well and I enjoyed shooting pictures of my friends Magnus who lived in Sweden and Stanley who lived in the UK. I met both of them online from my Flash work and they came to visit New York and dropped by so I used them in a project. The graphics from this project became the record cover for Austin, Texas band The Rise's full length Signal to Noise. I do away with any retro references in the is season aside from the cars piece. I think this season really captures a specific aesthetic happening around this time.